Gustav Krantz’s work explores the tension between labour and tending in a post-apartheid landscape of
dreams.
Their work focuses on found materials processed through spontaneous and formal means into
stand-alone objects and sites.
Works take the form of interactive location-specific interventions. Sculptural elements co-habit with
drawings, prints, and large swaths of colour.
Their means of working often delves into obsessive-making co-existing with collaboration, temporal
process developments and community engagement
