Gustav Krantz’s work explores the tension between labour and tending in a post-apartheid landscape of dreams. Their work focuses on found materials processed through spontaneous and formal means into stand-alone objects and sites. Works take the form of interactive location-specific interventions. Sculptural elements co-habit with drawings, prints, and large swaths of colour. Their means of working often delves into obsessive-making co-existing with collaboration, temporal process developments and community engagement.
